Paintings and seals. Learning to perceive
What exactly do you perceive when you look at a painting: the image, the artist's energy, time, or another space? The surviving part of this meeting explores paintings and seals within the author's spiritual approach. It is less about examining what is painted than learning to perceive.
What happens in contact with an image beyond recognizing what is depicted?
- For those studying seals and paintings in the context of Life
- For those who want to explore spiritual perception of an image more deeply
What you can explore here
In the author's words“The point is not how it is painted.”
What the conversation covers
- Seals and the transmission of energy
- The painting, its creator, time, and the spiritual being
- Valery Lomovtsev's imagery
- The distinction between the visual image and perception
This is a recording of a live meeting with participants' questions and examples. The topics describe its contents; they are not an outline for a separate course.
This is part of a conversation about spiritual perception of art. The beginning of the meeting is missing, so it is not presented as a complete lesson.
Return to your own experience.
- What do I perceive when I look at this image?
- Am I automatically assuming that I am coming into contact with the artist's personality?
- What remained my own observation, and what did I fill in from the explanation?
Related recordings and collections
Additional archive material for the collection, separate from its main selection.
Seals, paintings, and musicWhat do I experience in contact with art, beyond understanding its subject and judging its execution?What to keep in mind
Only an excerpt survives. The images discussed in the recording and the rights to provide them require separate verification.
Archive excerpt: the first part of the meeting is missing. Approximately 45 minutes of the second part are available. It is not offered as a complete standalone session.
Why is only an excerpt available?
The source data explicitly states that the first part of the meeting was not recorded. The approximately 45 minutes refer only to the surviving part; the full content of the first part is not available here.
Background: detail of “No. 14,” November 6, 2025 · Alexander Volchek